The much-anticipated digital release of Prabhas’s film “Rajasab” has sparked a wave of trolling, particularly targeting the film’s director, Maruthi. Following its theatrical release last month during the Sankranti festival, the movie faced severe criticism, and the situation has only intensified since its arrival on streaming platforms.
Initially promoted with significant fanfare, Maruthi even went as far as sharing his home address during the pre-release buzz. However, this move has seemingly backfired, as disgruntled fans of Prabhas took to social media to express their discontent. Reports emerged that fans inundated the director with hundreds of cash-on-delivery orders, further illustrating their frustration over what they deemed a subpar film.
The horror-fantasy concept movie, which features Prabhas in a pivotal role, has not only faced scrutiny for its storyline but also for its technical execution. Viewers have pointed out various editing flaws and continuity errors, leading to a flood of memes and critiques on platforms like Twitter. Many have noted the use of doubles in action sequences, with some fans sharing screenshots that highlight apparent face morphing during scenes, adding fuel to the trolling fire.
One of the more prominent criticisms revolves around a particular bus journey scene featuring Prabhas. Fans have humorously highlighted inconsistencies, such as the sudden change in the character’s facial hair and even the bus itself, prompting a slew of jokes and memes. Questions about the film’s logic have also surfaced, with viewers perplexed over character motivations and plot developments, particularly regarding Prabhas’s character and his relationship with the character played by Sanjay Dutt.
Netizens have begun questioning the film’s narrative structure, with some pointing out the illogical elements surrounding the royal marriage plot. They have asked why, if marrying a princess means inheriting all her wealth, the character portrayed by Dutt would even consider running away. This has opened the floodgates for discussions about the film’s storyline and character arcs, leading to a broader critique of its coherence.
Critics have not held back, suggesting that the film is riddled with scenes that lack logical consistency. For instance, fans are bewildered by a subplot involving Nidhi Agarwal’s character, who is portrayed as having access to immense wealth and properties, yet is involved in questionable financial dealings. The lack of coherence in such plot points has raised eyebrows and led to a significant backlash against Maruthi’s direction.
As the trolling continues to escalate, it is evident that “Rajasab” has become a focal point for discussions on quality in cinema. With fans voicing their disappointment, the film serves as a reminder of the high expectations set for star-studded projects and the swift backlash that can follow when those expectations are not met. For Maruthi, this experience may serve as a crucial lesson in audience engagement and the importance of delivering a polished final product.
