The film “Blood Roses,” starring Dharma Keerthi Raju and Apsara Rani, has made its debut under the direction of A.N.G.R. and the production of Harish Kamarthi through TBR Cine Creations. Released on February 6, this movie has garnered attention for its intriguing premise and the performances of its cast. In this review, we delve into what makes the film tick and whether it lives up to expectations.
The story unfolds in Hyderabad, where two powerful figures, Devi Das and Bhajarangi Das, are poised to have their sons contest in the upcoming elections. However, as the political landscape heats up, a series of murders begins to plague the city, and reports suggest that Devi Das’s son, Madhan, may be involved. Amid rising tensions, Devi Das’s supporters take to the streets, asserting that Bhajarangi Das is orchestrating a plan to ruin Madhan’s political career. The investigation, led by CI Arun Gogoi, intensifies, but political pressure results in his suspension. As the case shifts to the CBI, the Home Minister intervenes, urging the Commissioner to assist in capturing the mysterious killer behind the gruesome events.
At its core, “Blood Roses” aims to deliver a strong message about the empowerment of women, asserting that they should not be underestimated and should stand equal in all aspects. Additionally, it emphasizes the importance of loyalty in love, presenting a nuanced perspective through the character of the female lead. However, the film’s narrative, set against the backdrop of serial murders, feels somewhat conventional and predictable.
The pacing of the film is another point of contention, with many viewers likely to find it sluggish. While director A.N.G.R. has crafted a well-structured screenplay with engaging dialogues, the execution on screen does not quite hit the mark. Despite his previous successes in Kannada cinema, the director seems to struggle in resonating with the Telugu audience, resulting in a lack of freshness throughout the film.
For fans of crime stories, “Blood Roses” may still hold some appeal, yet the overall impression leans towards the routine and conventional, which ultimately serves as a significant drawback for the film. In terms of performances, Apsara Rani stands out with her captivating portrayal of the character Adhira, garnering attention that may establish her as a noteworthy presence in the industry post-release. Dharma Keerthi Raju convincingly embodies the role of Arun Gogoi, and Shreelu Prithviraj delivers a competent performance as Janani. Kranti Killi’s portrayal of Martin adds a layer of intrigue to the narrative.
The supporting cast, featuring Suman, Tarzan, Gharshana Srinivas, Rajendra, Junior Relangi, Jagadeeshwari, Manikumar Manik, Jyoti, Anil Kumar, Dhruva, Naren Tej, Pragya, Navita, Loukya, Hasini, and Anand, contribute effectively within the confines of their roles, making the best of the material provided to them.
In conclusion, “Blood Roses” attempts to weave a compelling story within a political crime drama framework, but ultimately falls short of delivering a groundbreaking cinematic experience. It’s a film that may resonate with those who enjoy the genre but might leave others longing for a more innovative narrative.
